Romos - The new New Romantics

April 2024 ยท 11 minute read
Romos - The new New Romantics

 


Not New Romantics!

A comment from someone so looking foward to a revival.

"I think it should be classified with neo-Brit-pop."

Dex Dexter
Sound like a Japanese pop band called Hide. The singer sounds like Simon LeBon wearing trousers that are too tight.

Hollywood
Sound like Strawberry Switchblade rip-offs with an annoying thumping 'Spice-Girls' (ugh!) beat.

Plastic Fantastic
Mediocre

Viva
More thumping techno-y mediocrity.

Orlando
Boring!

Inaura
Had one tolerable song, but the other sounded like Orlando.

Minty
Minty's singers do sound exactly like B-52's (such a shame, the backing music had some potential.)

Mansum
Reminded me of Nancy Boy, another 'Romo' band that I can't stand.

I think the main problem with most of these bands is their singers. All of them sound like really wimpy guys who probably have Beatles/Oasis hair cuts. (what's the point of trying to copy old haircut bands if you can't even get the hair right??)

I think that any 'real' new romantic revival is going to be in industrial/underground synth pop. I think it's safe to say that these new (or relatively), synth bands (Moulin Noir, Elegant Machinery, Psyche, Sphere Lazza to name a few) have more 'real' New Romantic/Wave blood in them than any of these RoMo bands.

I'm just disappointed - When I first discovered the original 'Neuromanticism' (Visage, Japan, Classix, etc) it was really exciting and cool!!! RoMo is such a let-down in comparison!

An article in The Face December 1995

The Clubs

Arcadia

Wednesday at L'equipe Anglais, Duke St, London W1.
Music and clothes: most definitely Romo, bands every week.

The Cell

Thursday at Gossips, Dean Street, London W1.
Intimate dive on the site of the original Blitz club. Indulgent eighties nostalgia.

Club Skinny

Thursday at HQs, West Yard, Camden Lock, London NW1.
All things synth, and increasingly Romo.

Electric Boogaloo

Every other Tuesday, Royal Skate Club, Brighton.
Grandmaster Flash meets New Romance.

Sticky Youth Club

Every other Thursday, The Basement, Grand Parade, Brighton.
Weird, out-there Eighties German synth bands scratched with Shampoo.

The Bands

Dexdexter

Challenging mix of early Roxy and late Japan.

Plastic Fantastic

Lead singer looks like David Sylvian and Theresa Bazaar's (Dollar) love child, cocaine Duranies high on their new Roland.

Orlando

Dead poppy, ABC and Culture Club on a Mowtown tip.

Hollywood

"The Shampoo of revolution and futurism".

Sexus

Melancholic synth pop.

Viva

Martin Fry meets Alvin Stardust. Yikes

A review of the movement by China.

We're futurists, right? So that means were worried about being too nostalgic if we listen to anything that came out before last week, doesn't it? So did the advent of Romo [or Romantic Modernism for long] provide that long awaited chance to throw away all those '80s albums?

Erm, well it seemed like a good idea at the time, Britpop being so insular / isolationist, but for a music paper to force a minor underground scene into the spotlight prematurely is to invite disaster. Sure enough, disaster ensued - in the form of record company signings en masse and flopped singles en masse. Still, it seems most of them are still together and they shouldn't worry, after all, Japan took 6 years to have a hit. Here are my impressions from a Melody Maker promotional compilation from spring 1996, lots of reviews I've read and [very few] radio plays for your delectation, the most hyped ones first. Jarvis Cocker of Pulp said that it should have been called Romu for Roxy Music, which sums it up really.

The flyer for Club Skinny:

Popstars Bar 11 - 2am
Duran Duran, Blur, Pulp, Roxy Music, Elastica, Bowie, Adam and The Ants, Supergrass, Blondie, Soft Cell and beyond.......

Skynthetic Bar 11 - 2am
Electro / hiphop

Live on stage 9 - 11pm
See press....see listings

Selected beers 1.85 a bottle all night
Dress Code: Glam it up / Popstars
Entrance: 4 without flyer / 3 with

The playlist seems to have gradually shed its Britpop quota and eventually some of its early 80s quota too from what I can garner. The '18 Carat music' bit is of course an Associates reference and the logo had the three ABC stars as did the logo for Arcadia.

'Fiddling while Romo burns...' compilation 96

Free with Melody Maker, 9 March 1996

  • Dexdexter - Creature Feature [prod. Colin Thurston]
  • Hollywood - Lights! Camera! Revolution![prod.Dave Ball]
  • Plastic Fantastic - Complimentary Electron [prod.Chris Hughes]
  • Viva - Now [prod. Marc Almond and Neil Whitmore]
  • Orlando - Natures Hated [engineered/mixed - Darren Eskriette]
  • Orlando

    Orlando's singer Timothy Mark sings like Dr Robert of the Blow Monkeys or Boy George. I've heard two of their songs, 'Natures Hated' and 'Just For a Second'. 'Natures Hated' hangs together the best of the two. It is basically what Orlando say it is, an Oasis song without guitars [and without all the hamfisted, beery singalong value and bad lyrics]. I'd say it's what the Blow Monkeys would have sounded like if the Blow Monkeys had been better than the Blow Monkeys were - if you see what I mean. Their fans are die-hard and write loyally to Melody Maker to declare it, they havent hidden in the studio all year like their contemporaries - on the other hand they demanded entry to an Erasure after-show party and told the bouncer, "Dont you know who we are?" to which he apparently replied "Yes, thats precisely why I'm not letting you in".

    Orlando have treated us to several singles this year and their Magic EP was one of Melody Maker's singles of the year in spite of it not charting. Andrew Smith, the Sunday Times music critic gave them a glowing review. Signed to Company Communications.

  • Just For A Second
  • Magic EP
  • Minty

    Minty aren't so much a band as an event. Their shows include lots of dressing up, sometimes nudity and always bodily functions and are as a result very shocking indeed - even for the likes of hardened Melody Maker journalists. The music? Think of the rawest synthpop - Warm Leatherette, The Some Bizzare Album - 'That's Nice!' and 'Plastic Bag' are their most publicised singles so far - and pretty good they are too. They are a favourite of Radio One's Mark Radcliffe. They were founded by the late Leigh Bowery, who worked with The Fall on Kurious Oranj.

  • Plastic Bag CDS
  • That's Nice CDS. There was a video for this.
  • Plastic Fantastic

    Started off playing Michael Jackson and S-Express covers in Brighton, then moved on to sound like Eno period Roxy Music. The song they contributed sounds like a proforma early Roxy number sung in a Brian Ferry voice. They say in their commentary that the song was of their earlier oeuvre and represented where they were coming from rather than where they were going to. Their first single 'Fantastique No. 5' flopped in spite of rave reviews, not just in Melody Maker. It was about shooting up Channel No. 5. Don't try this at home kids!

    DexDexter

    These guys are, roughly speaking, an 'Eno-Sylvian car crash' or rather they sound like Roxy Music. They're called after the character in US soap Dynasty. Several of them are Basque. They look very strange, even for futurists. They keep putting off issuing their debut single called, incidentally 'Another car, another crash'.

    Viva

    Marc Almond produced the song on the compilation: 'Now'. Its got an Almond influence alright. HiNRG suavepop with a falsetto. As for live reviews I here's what Kristy Barker said:

    "Associates-style extravagance: Duran's The Sound of Thunder, Viva are ... pulling someone you never thought would look at you twice in a million years.....etc. etc. [She carried on at length]. 'Now' doesn't sound anything like either the Associates or Duran Duran, nor does it have the self assurance you got [or, should I say, get in the case of the Durans] from the recordings of both.

    Hollywood

    Well, its about time synthpop had a little sex equality and these two girls have a pretty reasonable number in Lights! Camera! Revolution! Mind you, Dave Ball produced it. It's about a girl that falls in love with herself and lives happily ever after. Neat or what? One of them is from Sweden [no surprises there]. Simon Price says they are more Propaganda than Dollar, more Flying Lizards than Strawberry Switchblade and more Sparks than anyone. They had a single out a few months back.< P>

    Inaura

    Inaura featured Dave Formula, of Magazine and Visage, on keyboards. They had two singles out early this year. I was impressed by their first - as were quite a lot of people in London according to a few friends at university there. The Maker slated them, but they had one very good song called Soap Opera which shouts an early Duran influence - no - rips off Duran Duran. It's an uptempo discofied number with riffing of guitars, a lot of swagger and extremely sadistic lyrics delivered in a suitably gothic style. The follow-up 'Coma Aroma' I gave away because it was not so hot. Abusive lyrics over pass-remarkable House. They had the support slot on last year 's Human League tour of the UK which they pulled out of 'because it didnt feel right'. Signed to EMI.

  • Soap Opera [radio edit] / A Redhead and an Hourglass 7" and 2 diff. CDs with various mixes.
  • Coma Aroma - Tape with Perfecto mix and a b - side
  • Add N to X

    Jarresque instrumentalists. First album, Vero Electronics, did well in the indie charts. Signed to Blow Up.

    Acacia

    Simon Price said he heard Associates, Scritti, Thieves, Bowie's 'Lodger' but only because he wasnt listening properly. This band has a black male singer called Alexander who sings and screams and an oddly multinational personnel list. I still havent heard them. They had a MM single of the week beating 'Born Slippy' by Underworld, so they must be good. Signed to Radar.

  • 'Hate'
  • Sexus
  • From Manchester. They signed to ZTT. Their first single flopped. It sounded like something off Frankie's Liverpool.

    Boutique

    These guys are basically fairly lame synth goths. The low - rent Cure its OK to sip Tequila to. Apparently. They've had an EP out.

    Nancy Boy

    Donovan Leitch son of Donovan - yes THAT Donovan folk pixie type - and a load of other well heeled New Yorkers with famous dads. Their best song is supposed to be the Duran influenced 'Johnny Chrome and Silver'. Two albums so far:

  • Promosexual
  • Nancy Boy
  • A few more names: Absinthe, Aura, I Dream Of Wires, Elizabeth Bunny, Nightporter, de Milo, Persecution Complex, Designer, System Addict. There were loads more but I cant remember them all.

    My Life Story

    These guys should have their own NWC site. did not align themselves with Romo, but they have so evidently been reading the Lexicon Of Love that it is hard not to mention them. Right down to [His real name] Jake Shillingford's red waistcoat and metallic suits, right down to the string section, right down to the fact that '12 reasons why I love her', their first UK hit, is 'Valentine's Day' crossed with Fun Boy Three's 'Tunnel of Love' and is absolutely brilliant, incidentally. They must have a website somewhere - so check it out. Mr S is adamant about making credible pop music rather than the so called indie of recent times which has become pretty tired sounding of late. I second that emotion.

    ET SEQ.

    The aftermath of Romo has seen more synthpop bands, notably Peach, who supported Erasure and whose singles are continuously feted; "St Etienne without the attitude problem". Komputer, who have also supported Erasure, have a Kraftwerk fixation and whose single 'Looking down on London' got a good review - for being great in a Pac-Man and Space Invaders retro-futurist way.

    I have to talk about Mansun here. They're a guitar band and they've had lots of UK hits but they show a willingness to mix and interchange genres, techniques and influences that is really refreshing. Their singer and songwriter, Paul Draper tends to cite New Romantic and Grunge as his prime influences. 'Wide Open Space' which went top twenty recently, mirrors Roland Orzabal's angsty singing without the aspects that sometimes irritate, Radioheads 'Creep', U2's 'With or without you'. It's much more engaging than any of the latter. Check out also an 'Open letter to the lyrical trainspotter' a fantastic track with early Japan keyboard effects. Great voice, great songs - if you have a reasonable guitar tolerance threshold.

    A little more about these bands - (not so) in-depth interviews:

    Thanks QT.


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